Author Archives: normanbradio

Life Elsewhere Music Vol 222

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Honestly, the temptation to go on a rant about the headlines coming across my news feeds almost interrupted me from beginning this post with a jolly, happy paragraph on the marvelous wonders of new releases that landed on my desk this week. Almost! Nah, let’s get everything underway and rave on, starting with Manchester-based Lindsay Munroe. Her new single, Need A Ride caught me tapping my feet along to the comfortable steady drum and bass pattern, then Lindsay’s voice took me by surprise. She sounds so vulnerable, yet as I listened closely, I understood, she is pissed off, “I don’t need someone to take my heat / It’s just me between these sheets / I feel more when I’m alone”. Do yourself a favor, check out Lindsay Munroe’s earlier releases. The beginning of Turn To Dust by Lauren Lakis must be the talented chanteuse manipulating the pitch to give us a somber, moody into more straight-forward rendering. The mood remains throughout though, courtesy of an excellent production. You may pick up on a lot of references here if you listen to Daughter Of Language, her new album. And that’s fine with me. The LP Summerheads And Winter Beds by The Raft once again prove that Nico of Shoredive Records is maintaining quality control for his label. Phil Wilson has been writing recording and performing under the name The Raft since 2003. He brings on board an array of different vocalists, Claire O’Neill sings on There’s No Going Back. The album was produced by Phil and J Pedro and a fine effort they have made. I have no idea how close they are to each other, but Shoredive is located in Brighton on England’s south coast and in the same locale as Jon Jones and posse at Roots Garden Records. Consistently releasing the finest of modern reggae, Free Da Minds by Dark Angel being a fine example. The rhythm here was conjured up by producer Nick Manasseh back in 2007 and named The Levi Rhythm. Nick is back behind the mixing board on this gem, twiddling the knobs for Dark Angel (AKA Mowty Mahlyka). As a bonus, I segue into Free Dub. Dance music with a message. OK, this is where I will admit to having been severely chastised by my producer for messing up the name YVA. Eva appears to be the correct pronunciation. The EP is titled, Hype Machine, you’ll hear, Fountain Of Youth. Amy Holford is YVA accompanied by Jonathan Hibbert, Martyn Kaine, Anna Pheobe, and Jordan Miller. So impressed was I with YVA, I searched out her acoustic version of her debut release, I Won’t Wait. You can hear that over at Life Elsewhere #413. The London-based artist says, “There’s no fountain of youth, just beautiful untruth” and “I hate that I’m an unwitting sales-person for my self-hate” Love it! Next, we dash back to Shoredive to hear from Air Hunger with Felt Like Dying a cut from the LP, F-I-X-E-R. This is the solo project of Polish musician Dawid Schindler, recorded entirely on his iPhone. Wonderful! There is probably a story behind the album title, How To Weigh a Whale Without a Scale from Léanie Kaleido. But, what I do know for sure is Léanie has captured an intriguing story in All The Things I’m Made Of. The UK-based artist grew up in a musical household, the daughter of The Yardbirds lead guitarist, Top Topham. At the production-desk is Mark Gardener of Ride fame. The Capital of Washington state is an unassuming, often very damp place named rather imperiously, Olympia. It could be argued that Calvin Johnson and his influential indie label, K Records are Olympia’s most celebrated legacy for serious music-lovers. Another fine example of K Records output is the album, Fake Books where we find The Moving Pictures four years after their debut album with three fewer members and eight new songs. Now we have one person, in this case, a poet and his guitar, synths, and a 606. Loved One, a sad song yet a memorable one. And when did you last hear Christopher Isherwood mentioned in a pop song? (This is a co-release with Perennial records, also out of Olympia). And, now to an artist who is unwavering in exposing her insecurities and questions. Yes, Anna B Savage has a remarkable voice and yes, Anna stretches and coaxes her personal instrument to deliver an astonishing range to wrap her provocative lyrics in. Her debut LP, A Common Turn takes the listener on an emotive journey that can only be heard as illicitly peeking into Ms. Savage’s secret diary. But here’s the conundrum, Anna’s words are so private, so intense yet she sounds determined to make sure we hear everything, loud and clear.  “This whole album is about questioning, exploration and trying really fucking hard. Hopefully a vibrator is a good companion for most of these things. To sum it up in two words: wank more,” she writes. You’ll hear two cuts, Corncrakes and Chelsea Hotel #3, listen carefully. Watch the videos. Admire the superb production by William Doyle. If you don’t agree this is an exceptional album, write to me with your thoughts. Both David Long & Shane O’Neill were the singers and main songwriters in two separate Irish 80’spost punk/indie/rock bands. David Long was part of Into Paradise and Shane O’Neill was part of Blue In Heaven. They both come from the same part of Dublin and have known each other since they were about 6 or 7, which goes a long way to explain the symmetry that shines in their new album, Moll & Zeis. The title cut was chosen as it represents just how good this album is. How many years ago was it when I first played the glorious 10” EP Turn To Red by Killing Joke on the radio? It does seem like so long ago, so far away. Not just because I was the first DJ besides Peel to air that extraordinary record, not even because I championed the band for weeks, for months, for years, I’m still excited to hear a new release from anyone involved with the band. What a delight then to receive a new three-track EP from K÷, a unique collaboration between kindred spirits: Jaz Coleman, Geordie Walker, and Peter Hook. The first two gents part of Killing Joke and Hook of course of Joy Division and New Order fame. Although the name in print is K÷, they ask you say Killing Division. Remembrance Day is the first single, released a few days ago. To take us up to the close of the show, a little taste of Giving Up The Ghost from K÷. There you are a jolly, happy paragraph (or three) on the marvelous wonders of new releases that landed on my desk this week. Enjoy!

LEM Vol 222 Playlist

  1. Lindsay Munroe – Need A Ride
  2. Lauren Lakis – Turn To Dust
  3. The Raft – There’s No Going Back
  4. Dark Angel (AKA Mowty Mahlyka) – Free Da Minds
  5. Dark Angel (AKA Mowty Mahlyka) – Free Dub
  6. YVA – Fountain Of Youth
  7. Air Hunger – Felt Like Dying
  8. Léanie Kaleido – All The Things I’m Made Of
  9. The Moving Pictures – Loved One
  10. Anna B Savage – Corncrakes
  11. Anna B Savage – Chelsea Hotel #3
  12. David Long & Shane O’Neill – Moll & Zeis
  13. K÷ – Remembrance Day
  14. K÷ – Giving Up The Ghost

Artwork for this volume by Celia “Teddy” Rubin “Father’s Day” 5’ x 4’6” 1999 Giclee print on archival paper mounted on wood panel. Courtesy of Norman B’s collection 

LEM Vol 222

More Questions Than Answers?

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What happened? How did we get to where less than one percent have more wealth than everyone else in America combined? Why are so many people holding down jobs but living in their cars because they can’t afford rent? Who are the people panhandling at every busy intersection of every American city? How is it possible that we spend gazillions of dollars on weapons that will never be used while children starve across all fifty states? Why is health-care debt the number one cause of bankruptcy in America? Questions. So many questions. Dale Maharidge has spent the last couple of decades asking these questions. He has written extensively about all of these problems and more. Dale has traveled the length and breadth of the USA to investigate, to interview, to experience, to learn—to attempt to understand the downward spiral of the American working class. His latest book, Fucked At Birth delves deep into all these issues. He explores the realities of being poor in America in the coming decade, as a pandemic, economic crisis, and social revolution up-end the country. Maharidge channels the history of poverty in America to help inform the voices he encounters daily. With Fucked At Birth, he dares the reader to see themselves in those suffering the most and to finally, after decades of refusal, recalibrate what we are going to do about it.

                            .   

To begin the show, new music from Cathal Coughlan an Irish singer-songwriter who is not shy about sharing and exposing his opinions. As you’ll hear with Owl In The Parlour from his latest solo album, Songs Of Co-Aklan. The Irish Times described Cathal as the “genius of Irish rock”, noting his earlier and acclaimed bands, Microdisney and The Fatima Mansions. Make sure you check out Norman B’s Conversation With Cathal Coughlan. We close the show with a powerful new singer-songwriter discovery from London, YVA with a beautiful acoustic version of her debut single, I Won’t Wait. Amy Holford performs under the moniker of YVA, and we suggest you keep a watchful eye out for more releases from YVA.

Show 413

A Conversation With Charlie Nieland

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Divisions, the title track from his new album of the same name begins with a steady pounding drum beat, hovering underneath a treated guitar appears but doesn’t intrude, then Charlie Nieland sings. His deadpan voice sounds familiar yet as the song moves along you realize this is new, not reworked codas from a past decade or three. Nieland has a smart knack for referencing identifiable sounds and making them his own. Charlie is comfortable talking about influences, while almost swooning as he recounts working with New Wave diva, Debbie Harry. Renowned for tastefully blending post-punk, dream pop, and progressive rock with sweeping melodies and restless and visceral rhythms, Charlie Nieland has been writing, playing, and producing music for decades, with a focus on the atmospheric and the imaginative. Nieland played power dream pop with the band Her Vanished Grace for over 20 years before establishing himself as a solo artist with a mix of nuanced songwriting and sonic exploration. He is currently half of the literature-inspired songwriting and performing duo Lusterlit with Susan Hwang. Over the years, Charlie has written and produced material with such notable artists as Debbie Harry, Rufus Wainwright, Dead Leaf Echo, Blondie, and Scissor Sisters. He scored the feature film The Safety of Objects (starring Glenn Close), the pilot episode of The L Word on Showtime, and the VH-1documentary NY77: The Coolest Year in Hell. Charlie was awarded a Gold record (UK) for his production work on Blondie’s Greatest Hits Sight & Sound and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry’s single Two Times Blue, which he co-wrote and produced. Charlie Nieland and Norman B connected via Zoom for this conversation.

LEM Vol 221

Two Important Books

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Andrew Marantz – Antisocial: Online Extremists, Techno-Utopians, and the Hijacking of the American Conversation 

For several years, Andrew Marantz, a New Yorker staff writer, has been embedded in two worlds. The first is the world of social-media entrepreneurs, who, acting out of naïvete and reckless ambition, upended all traditional means of receiving and transmitting information. The second is the world of the people he calls “the gate crashers”–the conspiracists, white supremacists, and nihilist trolls who have become experts at using social media to advance their corrosive agenda. Antisocial ranges broadly–from the first mass-printed books to the trending hashtags of the present; from secret gatherings of neo-Fascists to the White House press briefing room–and traces how the unthinkable becomes thinkable, and then how it becomes reality. Antisocial reveals how the boundaries between technology, media, and politics have been erased, resulting in a deeply broken informational landscape–the landscape in which we all now live. Marantz shows how alienated young people are led down the rabbit hole of online radicalization, and how fringe ideas spread–from anonymous corners of social media to cable TV to the ex-President’s Twitter feed.

Laura Levitt  – The Objects That Remain

Professor of Religion, Jewish Studies, and Gender, Laura Levitt was raped in her own bed. The police arrived too late to apprehend her attacker. When they left, investigators took items with them—a pair of sweatpants, the bedclothes—and a rape exam was performed at the hospital. However, this evidence was never processed. Decades later, Laura returns to these objects, viewing them not as clues that will lead to the identification of her assailant but rather as a means of engaging traumatic legacies writ large. Her book, The Objects That Remain is equal parts personal memoir and fascinating examination of the ways in which the material remains of violent crimes inform our experience of, and thinking about, trauma and loss. Considering artifacts in the United States Holocaust Memorial Museum and evidence in police storage facilities across the country, Laura’s story moves between intimate trauma, the story of an unsolved rape, and genocide. Laura Levitt talks frankly about the trauma of her rape and reveals how these objects that remained the stories that surround them enable forms of intimacy. In this way, she models for us a different kind of reckoning, where justice is an animating process of telling and holding.

Plus, new music from UK-based singer-songwriter, Léanie Kaleido with All The Things I’m Made Of a cut from her new album, How To Weigh A Whale Without A Scale. With a stellar musical heritage – her father is Top Topham of The Yardbirds fame, Léanie says “I’m an indie freak who makes music that isn’t very indie at all”. Her album was produced by Mark Gardner of Ride which kind of contradicts her not so indie claim. Expect to hear more from Léanie Kaleido on an upcoming Life Elsewhere Music show.

Show 412

 

 

The Valentine’s Special – Life Elsewhere Music Vol 220

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Everyone has a few favorite love songs, don’t they? Yet, when it really comes to narrowing your choice down to just one song, it’s far more difficult. We choose love songs for different reasons, falling in love, being in love, and falling out of love. As time moves along favorites change, for our Valentine’s Special my curated selection of love songs features old favorites, a couple of classics, and a few brand new releases. All of these cuts you will hear evoke for me the essence of love in its many delicious forms. To begin, one of the sweetest voices ever, the one and only, Cornel Campbell with Girl Of My Dreams. The Kingston, Jamaica-born singer’s falsetto is truly a stand-out amongst the legion of reggae artists. Cornel’s 1972 hit sounds as perfect now as it did back then, the same has to be said of Deep Shadows by Little Ann. Originally from Chicago, Ann Bridgeforth had a short-lived recording career, in 1967 she recorded Deep Shadow in Detroit, but it was not released and was almost lost to history. It was released as a single in the early 80s but finally caught wide attention via a Soul compilation in 1998. Then, with the release of some of her music, Little Ann performed to great acclaim in the UK, shortly before her death in 2003. Irish singer-songwriter, Miranda McCarthy released From Loving You in November of last year. Since then, it has been repeatedly on my playlist. Brutal Hearts from the 2010 album, Light The Horizon by Toronto-based, Bedouin Soundclash features Coeur De Pirate, AKA Canadian artist, Béatrice Martin. You are missing out if you have not explored her music and videos. Awww, just listen to those lyrics, Are you the brutal heart that I’ve been looking for. Cause if you’re looking for love, you can look for that door. Next up, the late Ivan Kral with Crazy About You, the Prague-born songwriter and musician came to major attention in America as part of The Patti Smith Group. Ivan played guitar, bass, and keyboards, appearing on all of her early records (including the seminal Horses), and was involved in writing a number of her songs (he co-wrote “Dancing Barefoot” one of Smith’s pivotal tunes). One of reggae’s more distinctive voices, Horace Andy gives us his version of the Diana Ross hit, Love Hangover. The 1983 release is essential for any reggae lovers’ collection. My 12’ version of Lovers Rock by Love Trio is dated, 2000, but there have been a number of versions and remixes released since then. Ilhan Ersahin, Jesse Murphy, Kenny Wollesen along with samples from U Roy produced a love song you can dance around the kitchen to. Maybe it was isolation and all the problems that came along with Covid that resulted in such an abundance of incredible releases. Without a doubt, one of my big favorites from the last year is Crème Brûlée from King Hannah. It’s sexy, it’s hot, it’s a love song! Sometimes a talented singer-songwriter comes along, drops a song or two then vanishes for a while. When I first heard Thunder from Rosie Peppin I said I want to hear more from this UK artist. Rosie, I still want to hear more from you, please. Thunder is such a painfully, knowing love song. Canadian musician and poet, Barzin is a master of knowing love songs. He has written so many beautiful lyrics, I could honestly fill a whole show with the man’s plaintive work. Barzin knows exactly how to touch all those confusing emotions of love. In Soft Summer Girls, he is reflective yet although quietly despondent, he is not despairing. At the last count, I have going over one hundred and fifty versions of possibly, one of the gut-wrenching love songs ever written, Love Will Tear Us Apart. Susanna & The Magical Orchestra takes the Joy Division song and remolds it into a song that is so icy-cold, its almost hard to listen to without allowing the tears to flow. Keep the tears flowing with The Sundays haunting version of Wild Horses. I’ve always considered this to be such a moving love song and certainly, Gram Parsons’s version does just that. Vocalist Harriet Wheeler’s fragile-sounding voice goes further, underneath the pathos, she is angry, she’s pissed off and the band’s accompaniment helps to get that mood across. Fragility could be used to describe the overtones of the many recordings from Jacobites. Both Dave Kusworth and Nikki Sudden have now passed, musicians who flirted with the edgy-side of life, never diminishing their fondness for drugs and booze. Yet, beyond their deliberately-wasted image, they wrote and performed exceptional love songs. Listen to It’ll All End Up In Tears again and again. When I first heard I’ll Never Let You Go (Li’l Darlin’) I remember doing a double-take. Elvis Presley’s croon was a magnificent thing. Oh, what a voice and with such ease, he emotes, then without warning the song shifts into a rockabilly finish. I make no excuses, Elvis lured me into loving rock ’n’ roll. This song was written by Jimmy Wakely and recorded at Sun Studios in Memphis, September 1954 (some sources cite August). Truly one of Presley’s most magical recordings. A big tip of the hat to the accompanying musicians, Scotty Moore and Bill Black. We close The Valentines Special with Here’s Where The Story Ends brilliantly reworked by huge favorites at Life Elsewhere, Hannah, and Olly AKA Pela. The duo take on The Sundays’ classic is mesmerizing. Hanna’s voice not only proves what range she has but also proves she knows how to read and interpret beautiful lyrics. While Olly demonstrates his skill as a producer has to be revered. Let me know what you think of this mix of love songs, tell me what your favorite love song is?

Norman B

Playlist

  1. Cornel Campbell – Girl Of My Dreams
  2. Little Ann – Deep Shadows
  3. Miranda McCarthy – From Loving You
  4. Bedouin Soundclash – Brutal Hearts (Ft Coeur de Pirate)
  5. Ivan Kral – Crazy About You
  6. Horace Andy – Love Hangover
  7. Love Trio – Lovers Rock
  8. King Hannah – Crème Brûlée
  9. Rosie Peppin – Thunder
  10. Barzin – Soft Summer Girls
  11. Susanna & The Magical Orchestra – Love Will Tear Us Apart
  12. The Sundays – Wild Horses
  13. Jacobites – It’ll All End Up In Tears
  14. Elvis Presley – I’ll Never Let You Go (Li’l Darlin’)
  15. Pela – Here’s Where The Story Ends

About the artwork for this volume: Jamie Lewis “Lovers #5” 2019 3′ x 3′ lithograph and screenprint on archival paper. Courtesy of Norman B’s collection

LEM Vol 220

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