Tag Archives: talk radio

Remembering Ian Lowery – The Wall Years

David Lowery is proud of his brother. He wishes he hadn’t lost touch with him in the early 90s. “I didn’t get to see him perform live with Ski Patrol” David recalls. The siblings had grown up in Hartlepool in the northeast of England. Once a thriving, industrial area with shipyards, steel mills, and coal mines, after the Second World War, by the late ’60s and early ’70s, unemployment was omnipresent with drastic changes to the British and global economies. For David’s brother Ian, his surroundings didn’t offer much opportunity or escape. So, he veered off the beaten path and began an Art Foundation course at Sunderland Polytechnic. By 1978, Ian Lowery had formed The Prefabs, this was the first of many bands he created and fronted during a prolific musical career, gaining critical acclaim both within and outside the music industry. A well-honed gutter poet since the early days of Punk, Ian developed an idiosyncratic style, fusing a natural gift for sly wordplay and often a snarky phrase for embellishment. Ian’s poignant lyrics were channeled through an explosive if not studied onstage performance. The Prefabs soon disbanded and in late 78, Ian formed The Wall with friends from Art School, John “Joe” Hammond on lead guitar, Andy Griffith on bass with drums bashed by Bruce Archibald. London indie label, Small Wonder impressed Ian with their roster of bands including, The Cure, Bauhaus, Angelic Upstarts, Crass, and more. Demo tracks were sent to the label, a deal was made, a 7” EP was released, and a few appearances on John Peel’s radio show were arranged. Eventually, The Wall fell apart and Ski Patrol came into being, followed by Folk Devils, and eventually Ian Lowery set up The Ian Lowery Group. There were a few more bands and collaborations in between, but it’s The Wall years we are going to concentrate on with David Lowery. He is going to tell the story in a conversation with Norman B and you’ll hear exclusively, previously unreleased tracks from the band. Plus, a very rare recording of Ian Lowery talking about his influences.

Sadly, Ian Lowery died way too young on July 14, 2001. His influence reached so many musicians over the years, in particular the aspiring lads in Seattle and beyond who were part of the so-called, Grunge years. This is essential listening for music aficionados of all stripes. To round out the program, I have chosen new, current music I think Ian Lowery would approve of. Enjoy!

Portions of this information and photograph are used by permission of David Lowery & http://www.ianlowery.com

Show 427

A Conversation With Rebecca Handler

After reading, Edie Richter Is Not Alone, the outstanding debut novel from Rebecca Handler, the big question was how do you talk to the author about her surprising book without revealing the “secret” I prepared myself by taking my time in reading a book that taunts you to immerse yourself in the tragicomic stylized writing and devour it in one sitting. Instead, I forced myself to gobble up Handler’s cleverly observant prose over three evenings. It was a struggle, but it was worth it. Rebecca Handler’s writing is so smart, so clever, she craftily intends you to not put her book down. I began our conversation with, “possum”. A reasonable start, the first sentence in Edie Richter Is Not Alone is, “The possum is dead”. From there, Rebecca Handler explained that Edie Richter is married, childless by choice, and moving from San Francisco to Perth, Australia. She leaves behind a sister and mother still mourning the recent death of her father, but Edie has a secret, she committed an unthinkable act that she can barely admit to herself. Edie Richter narrates her experience of complicated grief with brutal accuracy. As you read, you discover along with Edie herself what happened to an oddly ordinary wife and daughter, who in her stunned anguish resembles all of us. 

   

Also in the program, new music out of Hull in the UK, from accomplished musician Katie Spencer, along with Alan Thompson & Spencer Cozens give us a beautiful version of the late John Martyn’s Hurt In Your Heart. The legendary British songwriter, guitarist, and singer, born Iain David McGeachy in London, 1948, sadly died in 2009. Katie Spencer pays tribute to Martyn with Cozens and Spencer, two longstanding members of his band. The recording sessions for the three-track EP, Hurt In Your Heart were captured as live performances. Plus, new music from an artist who describes herself as, “A 15-year-old singer-songwriter from Leigh-on-sea in Essex and I have been writing music for a couple of years now. Here I am with my first EP. I started solely on piano, but I have really enjoyed pushing my guitar and vocals too“. Her name is Ruby Hickman, the two tracks I chose are, I Hate You and the title cut, The Fake You. A talent to keep a watchful eye out for. 

Norman B April 10, 2021

Show 418

A Conversation With King Hannah

They look like they just stepped out of a photoshoot for ID magazine circa 1979 or it could be 2025. Their potent music, like their striking image, is an alluring reverent homage to a past they could have invented, perfectly and seamlessly blended into a brilliant foretaste of the future. Hannah Merrick and Craig Whittle are King Hannah. Their moniker is clever, a deadpan kick in the shins of conformity and gender identity. Yet, Hannah nonchalantly says, “Oh, it’s a name I came up with ages ago, I thought it sounded good. So we used it”. That’s the thing about these two, everything is all matter-of-fact. There’s no pretensions, no deliberate persona they are eager to get across. When they are told that Crème Brûlée is an incredibly sexy song, they both sound surprised. Craig, between a chuckle or two, says, “Just look at us!” We did and we like what we see. The authenticity of King Hannah is right up front, their music does not mess about. “We’re determined to get it right”, says Hannah They genuinely enjoy making music together “We know when to finish a song without even looking at each other,” Hannah shares. There is so much going on in their debut EP, Tell Me You Mind And I’ll Tell You Mine, it’s almost impossible to grasp the depth of pure rock ’n’ roll spirituality that shines through on every track. There are so many ghosts channeling their voices through Hannah and Craig, they are harvesting the fruits to create vital music. Listen carefully to our conversation, then indulge in their music.

Because of time constraints and we wanted you to hear everything Hannah and Craig had to say, we edited a couple of their songs. You are advised to make sure you get your own copy of Tell Me You Mind And I’ll Tell You Mine.

Playlist

  1. Meal Deal 
  2. The Sea Has Stretch Marks
  3. Bill Tench
  4. Crème Brûlée

Show 424

A Conversation With Chip Jacobs

If you are going to write a crime thriller, what are the essential ingredients? Well, how about a big helping of murder, mix in a generous portion of blackmail, spice everything up with a layer of greed, add a dollop or two of 1979 Los Angeles, and sprinkle in a shiny El Camino. Pasadena-based writer, Chip Jacobs has perfected the recipe with his latest book, The Darkest Glare. Only there is one important ingredient Mr. Jacobs has no option but to admit to – his new crime thriller is true, all of it. The Darkest Glare reads like a grotesquely macabre fantasy it also has moments of absurd hilarity. Yet despite, Chip Jacobs’s undoubted ability to create a dark twisted tale, he readily agrees, even he could not have come up with such a bizarre cast of characters, or a plot with more twists and turns than a bowl of spaghetti. Mr. Jacobs tells the tale with a steady hand and crystal-clear eye. He spares no details yet he skillfully moves the story along at a feverish pace. Below the surface, this is a story of personal failure and hidden vulnerability. As the story unfolds Chip paints the complexity of real people instead of presenting two-dimensional villains. Like his book, Jacobs verve for explaining the details makes for a fascinating guest.

Just as we were putting this show together, news came in that the last surviving member of the original Wailers had passed. Jamaican-born Neville O’Riley Livingston also known as Bunny Livingston or Bunny Wailer was dead at the age of 73 just a couple of months short of his 74th birthday. Long considered a living legend, the Rastafarian singer-songwriter winner of a number of Grammy awards was named recently by Newsweek as one of the three most important musicians in world music. For a tribute, we take you back in time to circa 1981 to hear Bunny Wailer’s, Rise and Shine, a 12” platter on Solomonic Records. Rest In Peace, sir.

Show 414

A Conversation With Charlie Nieland

Divisions, the title track from his new album of the same name begins with a steady pounding drum beat, hovering underneath a treated guitar appears but doesn’t intrude, then Charlie Nieland sings. His deadpan voice sounds familiar yet as the song moves along you realize this is new, not reworked codas from a past decade or three. Nieland has a smart knack for referencing identifiable sounds and making them his own. Charlie is comfortable talking about influences, while almost swooning as he recounts working with New Wave diva, Debbie Harry. Renowned for tastefully blending post-punk, dream pop, and progressive rock with sweeping melodies and restless and visceral rhythms, Charlie Nieland has been writing, playing, and producing music for decades, with a focus on the atmospheric and the imaginative. Nieland played power dream pop with the band Her Vanished Grace for over 20 years before establishing himself as a solo artist with a mix of nuanced songwriting and sonic exploration. He is currently half of the literature-inspired songwriting and performing duo Lusterlit with Susan Hwang. Over the years, Charlie has written and produced material with such notable artists as Debbie Harry, Rufus Wainwright, Dead Leaf Echo, Blondie, and Scissor Sisters. He scored the feature film The Safety of Objects (starring Glenn Close), the pilot episode of The L Word on Showtime, and the VH-1documentary NY77: The Coolest Year in Hell. Charlie was awarded a Gold record (UK) for his production work on Blondie’s Greatest Hits Sight & Sound and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry’s single Two Times Blue, which he co-wrote and produced. Charlie Nieland and Norman B connected via Zoom for this conversation.

LEM Vol 221

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