Tag Archives: talk radio

A Conversation With Rebecca Handler

After reading, Edie Richter Is Not Alone, the outstanding debut novel from Rebecca Handler, the big question was how do you talk to the author about her surprising book without revealing the “secret” I prepared myself by taking my time in reading a book that taunts you to immerse yourself in the tragicomic stylized writing and devour it in one sitting. Instead, I forced myself to gobble up Handler’s cleverly observant prose over three evenings. It was a struggle, but it was worth it. Rebecca Handler’s writing is so smart, so clever, she craftily intends you to not put her book down. I began our conversation with, “possum”. A reasonable start, the first sentence in Edie Richter Is Not Alone is, “The possum is dead”. From there, Rebecca Handler explained that Edie Richter is married, childless by choice, and moving from San Francisco to Perth, Australia. She leaves behind a sister and mother still mourning the recent death of her father, but Edie has a secret, she committed an unthinkable act that she can barely admit to herself. Edie Richter narrates her experience of complicated grief with brutal accuracy. As you read, you discover along with Edie herself what happened to an oddly ordinary wife and daughter, who in her stunned anguish resembles all of us. 

   

Also in the program, new music out of Hull in the UK, from accomplished musician Katie Spencer, along with Alan Thompson & Spencer Cozens give us a beautiful version of the late John Martyn’s Hurt In Your Heart. The legendary British songwriter, guitarist, and singer, born Iain David McGeachy in London, 1948, sadly died in 2009. Katie Spencer pays tribute to Martyn with Cozens and Spencer, two longstanding members of his band. The recording sessions for the three-track EP, Hurt In Your Heart were captured as live performances. Plus, new music from an artist who describes herself as, “A 15-year-old singer-songwriter from Leigh-on-sea in Essex and I have been writing music for a couple of years now. Here I am with my first EP. I started solely on piano, but I have really enjoyed pushing my guitar and vocals too“. Her name is Ruby Hickman, the two tracks I chose are, I Hate You and the title cut, The Fake You. A talent to keep a watchful eye out for. 

Norman B April 10, 2021

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A Conversation With King Hannah

They look like they just stepped out of a photoshoot for ID magazine circa 1979 or it could be 2025. Their potent music, like their striking image, is an alluring reverent homage to a past they could have invented, perfectly and seamlessly blended into a brilliant foretaste of the future. Hannah Merrick and Craig Whittle are King Hannah. Their moniker is clever, a deadpan kick in the shins of conformity and gender identity. Yet, Hannah nonchalantly says, “Oh, it’s a name I came up with ages ago, I thought it sounded good. So we used it”. That’s the thing about these two, everything is all matter-of-fact. There’s no pretensions, no deliberate persona they are eager to get across. When they are told that Crème Brûlée is an incredibly sexy song, they both sound surprised. Craig, between a chuckle or two, says, “Just look at us!” We did and we like what we see. The authenticity of King Hannah is right up front, their music does not mess about. “We’re determined to get it right”, says Hannah They genuinely enjoy making music together “We know when to finish a song without even looking at each other,” Hannah shares. There is so much going on in their debut EP, Tell Me You Mind And I’ll Tell You Mine, it’s almost impossible to grasp the depth of pure rock ’n’ roll spirituality that shines through on every track. There are so many ghosts channeling their voices through Hannah and Craig, they are harvesting the fruits to create vital music. Listen carefully to our conversation, then indulge in their music.

Because of time constraints and we wanted you to hear everything Hannah and Craig had to say, we edited a couple of their songs. You are advised to make sure you get your own copy of Tell Me You Mind And I’ll Tell You Mine.

Playlist

  1. Meal Deal 
  2. The Sea Has Stretch Marks
  3. Bill Tench
  4. Crème Brûlée

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A Conversation With Chip Jacobs

If you are going to write a crime thriller, what are the essential ingredients? Well, how about a big helping of murder, mix in a generous portion of blackmail, spice everything up with a layer of greed, add a dollop or two of 1979 Los Angeles, and sprinkle in a shiny El Camino. Pasadena-based writer, Chip Jacobs has perfected the recipe with his latest book, The Darkest Glare. Only there is one important ingredient Mr. Jacobs has no option but to admit to – his new crime thriller is true, all of it. The Darkest Glare reads like a grotesquely macabre fantasy it also has moments of absurd hilarity. Yet despite, Chip Jacobs’s undoubted ability to create a dark twisted tale, he readily agrees, even he could not have come up with such a bizarre cast of characters, or a plot with more twists and turns than a bowl of spaghetti. Mr. Jacobs tells the tale with a steady hand and crystal-clear eye. He spares no details yet he skillfully moves the story along at a feverish pace. Below the surface, this is a story of personal failure and hidden vulnerability. As the story unfolds Chip paints the complexity of real people instead of presenting two-dimensional villains. Like his book, Jacobs verve for explaining the details makes for a fascinating guest.

Just as we were putting this show together, news came in that the last surviving member of the original Wailers had passed. Jamaican-born Neville O’Riley Livingston also known as Bunny Livingston or Bunny Wailer was dead at the age of 73 just a couple of months short of his 74th birthday. Long considered a living legend, the Rastafarian singer-songwriter winner of a number of Grammy awards was named recently by Newsweek as one of the three most important musicians in world music. For a tribute, we take you back in time to circa 1981 to hear Bunny Wailer’s, Rise and Shine, a 12” platter on Solomonic Records. Rest In Peace, sir.

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A Conversation With Charlie Nieland

Divisions, the title track from his new album of the same name begins with a steady pounding drum beat, hovering underneath a treated guitar appears but doesn’t intrude, then Charlie Nieland sings. His deadpan voice sounds familiar yet as the song moves along you realize this is new, not reworked codas from a past decade or three. Nieland has a smart knack for referencing identifiable sounds and making them his own. Charlie is comfortable talking about influences, while almost swooning as he recounts working with New Wave diva, Debbie Harry. Renowned for tastefully blending post-punk, dream pop, and progressive rock with sweeping melodies and restless and visceral rhythms, Charlie Nieland has been writing, playing, and producing music for decades, with a focus on the atmospheric and the imaginative. Nieland played power dream pop with the band Her Vanished Grace for over 20 years before establishing himself as a solo artist with a mix of nuanced songwriting and sonic exploration. He is currently half of the literature-inspired songwriting and performing duo Lusterlit with Susan Hwang. Over the years, Charlie has written and produced material with such notable artists as Debbie Harry, Rufus Wainwright, Dead Leaf Echo, Blondie, and Scissor Sisters. He scored the feature film The Safety of Objects (starring Glenn Close), the pilot episode of The L Word on Showtime, and the VH-1documentary NY77: The Coolest Year in Hell. Charlie was awarded a Gold record (UK) for his production work on Blondie’s Greatest Hits Sight & Sound and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry’s single Two Times Blue, which he co-wrote and produced. Charlie Nieland and Norman B connected via Zoom for this conversation.

LEM Vol 221

Recalling Reality. A Tale Of Revenge. Passionate Music.

             

Two engaging conversations in this edition of Life Elsewhere with two authors who have written two completely different books. One is an intimate, revelatory memoir, exploring the ways we can care for and repair ourselves when life knocks us down. The other takes us into the well-trodden path of noir set in Los Angeles. Only here we find the narrator is a seemingly tough-as-nails woman who may be far more vulnerable than she appears. Plus, new music about the passion and intensity of a doomed yet all-encompassing relationship.

Katherine May Wintering: The Power of Rest and Retreat in Difficult Times 

Sometimes you slip through the cracks: unforeseen circumstances like an abrupt illness, the death of a loved one, a break-up, or a job loss can derail a life. These periods of dislocation can be lonely and unexpected. For May, her husband fell ill, her son stopped attending school, and her own medical issues led her to leave a demanding job. Wintering explores how she not only endured this painful time but embraced the singular opportunities it offered. A moving personal narrative shot through with lessons from literature, mythology, and the natural world, May’s story offers instruction on the transformative power of rest and retreat. Illumination emerges from many sources: solstice celebrations and dormice hibernation, C.S. Lewis and Sylvia Plath, swimming in icy waters, and sailing arctic seas. Ultimately Wintering invites us to change how we relate to our own fallow times. May models an active acceptance of sadness and finds nourishment in deep retreat, joy in the hushed beauty of winter, and encouragement in understanding life as cyclical, not linear. A secular mystic, May forms a guiding philosophy for transforming the hardships that arise before the ushering in of a new season.

Halley Sutton The Lady Upstairs

A modern-day noir featuring a twisty cat-and-mouse chase, this dark debut thriller tells the story of a woman who makes a living taking down terrible men…then finds herself in over her head and with blood on her hands. The only way out? Pull off one final con. Jo’s job is blackmailing the most lecherous men in Los Angeles–handsy Hollywood producers, adulterous actors, corrupt cops. Sure, she likes the money she’s making, which comes in handy for the debt she is paying off, but it’s also a chance to take back power for the women of the city. Eager to prove herself to her coworker Lou and their enigmatic boss, known only as the Lady Upstairs, Jo takes on bigger and riskier jobs. When one of her targets is murdered, both the Lady Upstairs and the LAPD have Jo in their sights. Desperate to escape the consequences of her failed job, she decides to take on just one more sting–bringing down a rising political star. It’s her biggest con yet–and she will do it behind the Lady’s back, freeing both herself and Lou. But Jo soon learns that Lou and the Lady have secrets of their own and that no woman is safe when there is a life-changing payout on the line. A delicious debut thriller crackling with wit and an unforgettable feminist voice, The Lady Upstairs is a chilling and endlessly surprising take on female revenge.

Miranda McCarthy From Loving You

Inspired by the wildness of West Cork and life in profound transformation, Miranda McCarthy has in her new single, From Loving You created a moving, beautiful song. Her words and the exceptional arrangement work as a perfect segway between our conversations with Katherine May and Halley Sutton where both authors explore deep and perhaps hidden emotions.

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