Category Archives: Art & Authoritarianism

Graphic Design In The Age Of Unrest – Redux

As the Midterm Election Day progressed social media was very much alive and well with almost everyone it seemed rushing to let the rest of us know what they had been doing mere moments before by posting selfies with “I Voted!” stickers, front and center. If you were not already sure how our world has changed in the age of Trump, then the cacophony of “I Voted!” stickers should have convinced you. The omnipresent stickers came in never-ending varieties, from the generic to the overtly partisan and the downright ornery, “I Voted – Have You?” No matter if we accept or not, that all of these tiny, little graphic messages were designed. Someone somewhere produced artwork that had to be sent to a printer. A perfect example of graphic design being used to make a point, to get a message across. Which is exactly what graphic design is meant to do. These miniature statements in mostly red, white and blue may not be the pinnacle of brilliant graphic design but they initiated a discussion on graphic design in times of unrest.  Acclaimed New York-based creative director, Robert Newman suggests the anonymously-designed “I Voted!” stickers are not too far removed from the bold, unforgettable graphics of Emory Douglas for Black Panthers in the ’60s. He adds, “In times of unrest, graphic designers always shine.”

Robert Newman discusses graphic design in the age of unrest on our next edition. Below are links to many of the graphics we mention in the show and illustrated above.

Edsel Rodriguez

Black Lives Matter

Home Made Graphics

Act Up

Gun Control

Feminist Graphic Design

Afropunk

Pink Pussy Hat

Trump Magazine Covers

Show #338 Vs 2

Graphic Design In The Age Of Unrest

As the Midterm Election Day progressed social media was very much alive and well with almost everyone it seemed rushing to let the rest of us know what they had been doing mere moments before by posting selfies with “I Voted!” stickers, front and center. If you were not already sure how our world has changed in the age of Trump, then the cacophony of “I Voted!” stickers should have convinced you. The omnipresent stickers came in never-ending varieties, from the generic to the overtly partisan and the downright ornery, “I Voted – Have You?” No matter if we accept or not, that all of these tiny, little graphic messages were designed. Someone, somewhere produced artwork that had to be sent to a printer. A perfect example of graphic design being used to make a point, to get a message across. Which is exactly what graphic design is meant to do. These miniature statements in mostly red, white and blue may not be the pinnacle of brilliant graphic design but they initiated a discussion on graphic design in times of unrest.  Acclaimed New York-based creative director, Robert Newman suggests the anonymously-designed “I Voted!” stickers are not too far removed from the bold, unforgettable graphics of Emory Douglas for Black Panthers in the 60’s. He adds, “In times of unrest, graphic designers always shine.”

Robert Newman discusses graphic design in the age of unrest on our next edition. Below are links to many of the graphics we mention in the show and illustrated above.

Edsel Rodriguez

Black Lives Matter

Home Made Graphics

Act Up

Gun Control

Feminist Graphic Design

Afropunk

Pink Pussy Hat

Trump Magazine Covers

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Show #298

Art & Authoritarianism + Influential & Ignored

Last year before the election, Philip Kennicott, the Pulitzer Prize-winning Art and Architecture Critic, imagined with clever wit, what would happen to the Arts in America if Mr. Trump became President. His scenarios were fantasy, but the context for Kennicott’s creativity was built on facts: In a gallery in Chelsea, New York, a crudely made sculpture of the new president sitting on a toilet, using the Constitution as tissue paper is ignored by collectors and critics, but amusing passersby. A church group is outraged, the President comments, “It’s disgraceful, they take your tax dollars to make this filth.” Agitated vandals are prompted to spray-paint graffiti on the gallery’s windows. Only they get the neighborhood right, but the address wrong. Many in the art world are amused, but it worries others. We are barely two weeks into the new Presidency and Kennicott’s question,“What would happen to the arts if this country turned to authoritarian leadership?” is more chilling than ever. Philip Kennicott even manages to add a swipe at climate-change deniers in his perceptive commentary for the Washington Post. Next on Life Elsewhere, a repeat of an important discussion on the fallout from the Trump administration.

The second part of the program was prompted by Norman B’s recent visit to KEXP radio in Seattle.“I was explaining to the station manager how in 1984, I had an earlier version of Life Elsewhere on KCMU (now KEXPradio. A teenage listener would call my show regularly, he’d say, “Can you play that Folk Devils record again? That young music fan went onto form his own band and a decade later he was a worldwide sensation, but tragically committed suicide soon after.”  The reference to the Nirvana frontman and one of his major influences had come up in an interview with musician Nick Clift, who has lovingly put together a tribute to his sadly departed friend and bandmate Ian Lowery, who fronted both Folk Devils and Ski Patrol. Influential and ignored is a fitting description for both UK bands. Clift believed the legacy of Lowery and his band Folk Devils deserved to be remembered and perhaps rediscovered. To that end, he has released a stellar compilation, Folk Devils: Beautiful Monsters (Singles & Demo Recordings 1984 – 1986)Nick Clift resurrected the Folk Devils recordings and tracked down the original tapes, which had spent 30 years languishing in the home of the band’s former manager. With expert help, he re-mastered the recordings to capture the ragged fury and adrenalized energy that uniquely characterized the Folk Devils. In the next edition of Life Elsewhere, you’ll hear tracks from the recent compilation and Norman B’s conversation with Nick Clift.

Life Elsewhere airs:
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Life Elsewhere Music airs:
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You can hear all the volumes of Life Elsewhere Music over at Mixcloud

Art & Authoritarianism

Kennicott

“What would happen to the arts if this country turned to authoritarian leadership?” That is the opening line from a perceptive commentary in the Washington Post, authored by Philip Kennicott, the Pulitzer Prize-winning Art and Architecture Critic. Mr. Kennicott imagines with clever wit, what would happen to the Arts in America if Mr. Trump becomes President. His scenarios are fantasy, but the context for Kennicott’s creativity is built on facts: In a gallery in Chelsea, New York, a crudely made sculpture of the new president sitting on a toilet, using the Constitution as tissue paper is ignored by collectors and critics, but amusing passersby. A church group is outraged, the President comments, “It’s disgraceful, they take your tax dollars to make this filth.” Agitated vandals are prompted to spray-paint graffiti on the gallery’s windows. Only they get the neighborhood right, but the address wrong. Many in the art world are amused, but it worries others. Philip Kennicott paints more disturbing scenes, he even manages to add a swipe at climate-change deniers. At Life Elsewhere, our sub-heading is About Art, Media & Culture, so we could not resist inviting Philip onto the program to talk about his noteworthy article, titled, Would Donald Trump make art great again?”

Make sure you do not miss the next edition of Life Elsewhere with Philip Kennicott, Pulitzer Prize-winning Art and Architecture Critic at The Washington Post

Life Elsewhere Show #184 airs:
Sundays 12 noon ET at The Source WMNF HD3  

Mondays 5.00pm PT & Wednesdays 2.00pm PT at NWCZ Radio
Thursdays 6.00pm ET at Internet Radio Network

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If you miss any editions of Life Elsewhere, go here then go to the Listen On Demand panel, choose the date of a show and click play.

Check out the Life Elsewhere Music page and download Norman B’s curated selections of new, obscure, rare, unique and extraordinary music; hits of the future; artists who deserve your attention and timeless recordings you probably missed.