When did you first encounter Jeff Goldblum? Maybe as a deranged killer in his 1974 screen debut in Death Wish? Maybe as a cynical journalist in 1983s The Big Chill? Or a brilliant if egotistical scientist-turned-fly in 1986s The Fly? Perhaps as the wise-cracking skeptical mathematician in 1993s Jurassic Park? Or maybe you’re not a film buff but noticed his face as part of one of the Internet’s earliest memes. Whenever it was, you’ve probably noticed that Goldblum has become one of Hollywood’s most enduring actors, someone who only seems to grow more famous, more heralded, more beloved through the decades, even though he’s always followed his own, strange muse. The guy primarily plays jazz music these days but is more famous than ever. Actor, pianist, husband, father, style icon, meme. Goldblum contains multitudes, but why? What does he mean? The Washington Post’s Travis M. Andrews decided to find out. He talks to Norman B about his adventure discovering Jeff Goldblum and the result, his new book Because He’s Jeff Goldblum. While we are talking about movies we called upon long-time Life Elsewhere contributor, film, and media critic, Bob Ross to give us an update on the state of movies now. The Oscars, or as Mr. Ross prefers, The Academy Awards. Bob also gives his appraisal of Jeff Goldblum. Plus we have new music from Such Small Hands. This is the solo project of Melanie Howard also known as the bassist for The Wedding Present. Brighton-based Melanie has created a stripped and raw version of her debut album, Carousel. She says, “These are live home recordings, completely acoustic. Each song is just my voice and my guitar, recorded down one microphone across two afternoons in March while, while my cat snoozed next to me in my living room”. I want to share two tracks with you, because, well, I think you’ll appreciate what Melanie Howard as Such Small Hands has created with Carousel: Raw Home Recordings.