Tag Archives: Chris Connelly

Chris Connelly. An Ongoing Conversation Part 3

“I admit it!” Asserts Chris Connelly, “I’m addicted to collecting records!” We were deep into part three of our ongoing conversation, the topic of drugs couldn’t be avoided. Chris had recalled his early days in Chicago, hanging with Al Jourgensen and cohorts. The craziness surrounding the young lad from Scotland was fun at first, but there was a limit he soon discovered. “When it was time to stop, I did and went to bed.” Chris says, adding, “I didn’t get addicted, except for cigarettes.” Then, he admits to his addiction to records. It’s obvious from our conversations and Chris’s music selections his knowledge is immense. And, Connelly’s appreciation of so many genres of music prompts unabashed enthusiasm as we veer off on yet another tangent. This is why chatting with Chris Connelly is so rewarding, the man does not hesitate to share his opinions on whatever topic we are discussing. In part three, we cover Sex and Drugs, and Rock ’n’ Roll, but not in the same order as Ian Dury’s legendary song. Again, here is another reason to enjoy listening to Chris as he can comfortably move from one topic to another. For this edition, Chris picked music from Killing Joke, Durutti Column, and Roxy Music. Enjoy.

About the photo above: Chris Connelly with Sons Of The Silent Age performing, David Bowie’s Joe The Lion at Metro’s TopNote Theatre in Chicago 2018

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Chris Connelly. An Ongoing Conversation Part 2

Arriving in Chicago, Chris Connelly was greeted at the airport by Dannie Fletcher and Al Jourgensen who was preoccupied at the time with getting his new Walkman to work. When every attempt failed, the founder of Ministry did the only thing he reckoned would work, he smashed the much-sought-after gadget repeatedly against a concrete pillar in the airport’s baggage claim area. Chris doesn’t say if Jourgensen vented his frustration with a torrent of expletives and ear-piercing yelps, but he does recall that Al’s antics did arouse the attention of security so the trio hi-tailed it to Dannie’s gold-painted Jaguar. It wasn’t much later that night when Al introduced his Scottish guest to bars that were the hang for Chicago’s black-clad, pierced, and tattooed alternative crowd. This was the beginning of a new life for the lad from Edinburgh. In part 2 of our ongoing conversation with Chris Connelly, he recalls more stories and anecdotes from his early years in America. Plus, Chris selects and talks about music from Mark Stewart and the Mafia, Swanns, and Wire

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Chris Connelly. An Ongoing Conversation Part 1

The problem with chatting with Chris Connelly is he’s just so damn easy to talk to. You don’t want the conversation to end. Better still, Chris shares memories and insights in such an intimate and jocular manner it’s hard to remember we have not yet met in person. Despite probably being in the same venue at one time or another, Chris Connelly and I have only conversed via Zoom. My first encounter with Connelly was to talk about his latest recording adventure, The Birthday Poems an absorbing album created to celebrate the centenary of Orkney-born poet, George Mackay Brown. For this enterprise, Chris collaborated with the incomparable, Scottish chanteuse, Monica Queen. It became immediately apparent that a dialogue with Mr. Connelly could easily go off in as many directions as we could handle. We agreed right then and there we had to schedule more conversations. And, so it came to be, here then, is Part 1 of my ongoing series of conversations with Chris Connelly. His bio reads like a who’s who of alternative music collaborations. In Part 1 Chris talks about his earliest days in music, his fascination with Bowie, discovering tape-loops, forming  Finitribe in his native Edinburgh, being rejected from major labels, meeting Al Jourgensen, and his many musical projects including MinistryThe Revolting Cocks, and Pigface. This is essential listening for anyone interested in alternative music and/or great conversations.

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A Conversation With Chris Connelly About The Birthday Poems

Alternative music legend, Chris Connelly joins Life Elsewhere host Norman B for an in-depth conversation about his latest musical project, The Birthday Poems. An album created to celebrate the centenary of Orkney-born poet, George Mackay Brown. For this remarkable enterprise, Chris collaborated with the incomparable, Scottish chanteuse, Monica Queen. Together with a line-up of stellar musicians, they deftly interpret Chris’s music into a fictionalized account of the romance between celebrated Mackay Brown and his muse Stella Cartwright, as well as Stella’s friendship with Edinburgh born poet Stanley Roger Green, spanning three decades (from the mid-1950s until Stella’s tragic and untimely death in 1985). Known as the Muse of Rose Street, Stella had a unique upbringing, which contributed to her love of literature. As a young girl attending Mary Erskine School for Girls in Edinburgh, Stella would ravenously devour literature, art, and music. Her father would often take her to bars, parties, the theatre, and other social and cultural events, where she would meet and charm Scotland’s cultural elite. This album represents a sometimes overlooked but very important part of Scottish culture. Stella and Mackay Brown had an enduring friendship, although not always a joyous one – neither of the pair were particularly happy, and their love of whisky did not help. “While she had relationships with many of the poets who would haunt the bars of Edinburgh’s Rose Street during the ’50s and ‘early ’60s, her love of literature, art and culture was insatiable. She was never given credit or encouraged in her own art and expression. I hope that this album illuminates the beautiful treasure that she was, and how hugely significant she is to Scottish literature of a certain era,” says Connelly. He adds, “As a child and younger man in Edinburgh, I walked the same streets, drank in the same bars, and walked the same hills. I was also lucky enough to be close friends with Stanley Roger Green’s children, who, highly creative in their own ways, greatly informed and inspired my life”.

A follow-up conversation has been scheduled to reach back with Chris Connelly to his early days with Finitribe in his native Edinburgh and on through his many musical projects including Ministry, The Revolting Cocks, Pigface, and more.

The image above of Chris Connelly is from a video for Tae The Poets,  filmed on location at Chicago’s GMan Tavern and created by photographers Derick Smith and Matt Walker.

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