Tag Archives: Sylken Somers

Life Elsewhere’s Juke Box Jury

“Would you listen to this again?” We asked the jurists after playing each new release. We didn’t want boring answers, so we selected three guests we knew would provide intelligent, and entertaining critiques of every song. The first edition of Life Elsewhere’s Juke Box Jury features three highly qualified guests:

Mark Haskell Smith, author of rollicking smart fiction – Blown, Raw, Salty, Baked, Moist and Delicious. The LA-based writer is also a deft hand with non-fiction – Naked At Lunch and Heart Of Dankness. When not hunched over his MacBook, Mark teaches, writes screenplays and searches for the ultimate cocktail. In his earlier years, he slung a guitar on way down low and was part of Seattle post-punk noise-makers, 3 Swimmers.

Highly acclaimed creative director, Robert Newman has an impressive list of magazine designs under his belt, including, Real Simple, Entertainment Weekly, New York, Details, Vibe, The Village Voice and Guitar World. He was also the editor of The Rocket, a music and culture magazine based in Seattle. Newman and his teams have won over 500 design awards. Plus, he is past president of the Society of Publication Designers and has been a guest lecturer at the Poynter Institute. Robert is based in New York City and is an avowed music aficionado.

Singer-songwriter, poet and producer, Sylken Somers came to our attention just a short while ago. So impressed were we with Prone, her three-track EP, we had to find out more about this intriguing talent. We reached out to engage Sylken in conversation, (available here), she talks about music, life, love, mental and physical health, plus being non-binary. Sylken’s obvious delight in vocabulary made her a perfect choice for this show where we asked our guests to articulate their opinions – honestly.

The music we selected:

Akai Solo – Stand Alone Calm (prod. Ibiss)

Onipa – Makoma

Jordana – Signs

Iceblink – Dialoghi

Stutter Steps – Giant Sand Heart

David J with Emily Jane White – I Hear Only Silence Now

Hallows – Subtle

Grimm Grimm – Ginourmous

Drama – Forever And A Day

Nnamdï – Price Went Up

Listen carefully, do you agree with the opinions of our Jury, Sylken Somers, Robert Newman, and Mark Haskell Smith?

Show #362

A Conversation With Sylken Somers

Separating music into genres has always bothered me. I much prefer to ask if a piece of music works despite the label? Does it touch me? Do I want to hear it again? After all, I may ignore a fabulous song if it’s classified with a genre I’m not fond of! So, when I discovered a three-track EP titled Prone by Sylken Somers, I didn’t pay attention to the eleven label tags the artist had listed on their Bandcamp page. Of course, it wouldn’t have made a difference anyway because I was immediately seduced by the first cut, Tenderhead Tenderheart. What is this? I shouted just as the melodica came in. A melodica? Reggae luminary, Augustus Pablo had made the toy instrument an integral part of his famed “Far East” sound, yet here that distinctive sound was almost at odds with what at first I took for a sad love song. But then Sylken sings, “I gaze in a haze while time stands still” And without warning – silence, long enough to make you worried, then the music starts up again and you realize this is no ordinary love song. In fact, this is not a love song.* Tenderhead Tenderheart could be a cry, a cry of despair. The love may never have been there. Listen carefully to the ending, distant voices, barely discernible even with earbuds, suggest you need to hear this track again and – again. Cut two, Robots, starts abruptly with more sad-sounding vocals overlaid with a cacophony of found sounds, a metallic beat, distant voices and then a stuttering effect that slows down as Sylken croons while the sound of rain and a storm(?) set the mood. If there is any other instrument except the bass I may have missed it. “I close my eyes and shut the curtains.” Sylken plaintively sings as the song fades to a close. The last and longest track, Wringing My Hands opens with what could be described as “waking from a dream” coda, which quickly morphs into hazy vocals from Sylken. The clockwork music-box sounds instead of being at odds with the vocals add an intriguing ominous tone. The lyrics seem deliberately hard to decipher, yet, “Wringing my hands” comes through ever so clearly. After a short instrumental break, you soon realize the artist has not only a lovely but distinctive voice. The rumbling up-front bass with the mixture of percussive sounds may persuade some train-spotters to talk of Nu Jazz – but that’s another label. An instrumental break comes from the music-box before the vocals begin again. Is Sylken angry? The metallic percussion becomes more intense as “Wringing my hands, wringing my hands” is repeated. Finally, “You left me wringing my hands” closes the song after almost eight minutes.

So fascinated was I by the music of this artist I had not heard of before and could not find any rave reviews – anywhere, I was determined to learn more, maybe a chat, if possible. We reached out to Sylken and the response was almost immediate, so a transatlantic interview was arranged. Sylken was delightful, engaging and damn funny. Yet, on playback, I knew I had wasted an opportunity to learn a little more about this talented singer-songwriter-poet-producer. It probably was one of those many tags on their Bandcamp page – Queer. I didn’t want to pry and I didn’t want to make gender or sexuality an issue. Another call was made and I asked Sylken if I should have been more enquiring. “I’m an open book!” The answer came rapidly, so we set off on our second conversation. The result is an honest, unabashed chat about music, life, being non-binary and sexual fluidity.

Norman B – February 2020

*credit (almost) to Martin AtkinsKeith Levene & John Lydon

Show #361

Two Questions About Love

With Valentines Day just around the corner we gathered together a stellar cast of participants to share their thoughts on love by asking two questions:

1. What is love?

2. What is your favorite love song?

Dr. Jennifer Mercieca from Texas A & M University teaches classes on politics, media, and propaganda, but she also uses her academic acumen to answer our questions about love. Acclaimed creative director Robert Newman always has fascinating, cultural information to share, so you can expect his take on our love questions to be notable. Laura Palmer operates the impressive online station, WNRM The Root, her encyclopedic music knowledge suggests she will come up with a treat for What is your favorite love song? The distinctive voice of legendary singer-songwriter, Ronny Elliott suggests he has seen his fair share of love, so how will he answer our two questions? In our recent conversation, the unbridled honesty of new-discovery, Sylken Somers, we knew her views on love had to be included. The man who works with words for a living, Penguin-Random House copy chief, Benjamin Dreyer was an obvious candidate to answer two questions about love.

All of our guests tackle the first question, “What is love?” In a similar fashion, yet their answers are distinctive and clearly personal. For question number two, ‘What is your favorite love song?” Their answers are as surprising as they are different. Try and see if you can match the guest with their favorite love song:

Laura Nyro – Sexy Mama

Judie Tzuke – Under The Angels

Santana with Rob Thomas – Smooth

Sade – By My Side

Ella Fitzgerald – Always

Dayna Kurtz – Venezuela


Show #359