2020 Special Mentions – Life Elsewhere Music Vol 214
Finally, 2020 is over and here we are as if blinking at unfamiliar bright sunlight, wondering what the new year will bring us. Here at Life Elsewhere Towers the abundance of wonderful new releases throughout 2020 could for a moment belie how rubbish the past twelve months have been. Being in isolation has been the prompt for so many creative folk to get off their arses and – well, create! We avoid Best Of Lists because every cut we play at Life Elsewhere Music has to be Best, otherwise, we wouldn’t play them, so we gave you Not The Best Of 2020. To start the New Year, we are giving a big nod to those who deserve a Special Mention.
Miranda McCarthy – From Loving You on first play we were singing along with this song. Yes, it does sound familiar, yet original. Miranda says, “The song was inspired by the wildness of West Cork and a life in profound transformation.”
Eka – Shadow Play this song arrived unsolicited from Ekaterine, aka Eka with a wonderful descriptive message, “I’m a French visual artist with multicultural background and influences (French, Vietnamese, Russian and I spent my childhood in Brazil)” Eka went on to tell us all about her creative work. Her music caught our attention, in part because of her slight, lilting accent.
Tears On Demand – If I Was Alive this is an outstanding example why you should investigate the releases on Shoredive Records. This is entrepreneurial, Nicolas Pierre Wardell, boss of the label’s own outfit. Clearly Nico is fluent in how to make an engaging song. The man’s work is appealing and his label must not be overlooked.
Gad Whip – Sundown since we first heard these lads and their uncompromising music it was obvious they would be on our radar. But, please Gad Whip put out more releases often and send us some videos of you playing live. We want to imagine we are there with you having a mad dance around the place. Simply put, damn good intelligent music to have a knees-up to.
Benin City – Get Your Own and while we are talking about being in the dance. Josh, Shanaz & Tom aka, Benin City have that well covered. It would safe to say, every release from Benin City becomes a big fave for us. This trio know how to work their magic. Exceptional, well-crafted music with a message. In Get Your Own they tackle Covid as only Benin City can.
Phoebe Coco Different here is a talented in singer-songwriter-musician who has put our a number of superb releases. There is something about Phoebe output that prompts me to suggest she work with a producer who has another angle on her abilities. I’m thinking Olly Shelton of Pela fame, or maybe Adrian Sherwood. Your thoughts?
Tasha But There’s Still The Moon we keep returning to this cut, trying to analyze why it it works so well. Tasha says “For me, the moon is reliable, beautiful, it’s anchoring.” Written in early 2019, this single takes an optimistic message of gentleness. And, that we agree with.
Talitha Ferri Home she is out of Copenhagen, the album is, Get Well Soon. About this song, Talitha writes, “It was written in retrospect, at a time when I was able to appreciate the fragile moment that is falling in love. That sacred little dance we love to drag on and on, clinging to and resenting the space that stands between us.” Beneath that fragility, is a determined songwriter.
This Is The Kit – This Is What You Did this is the musical project of Kate Stables and whoever joins her in locations such as Winchester, Paris and Bristol. Her album, Off Off On showcases clever songwriting and production skills. There is an energy to be savored.
Happy Speedy – Fresh Air “I like writing sad lyrics to help me through my feelings (or two),” says Eimear Coyle. The Irish-born singer, now located in Glasgow goes on to say she started the band to help her work through some tough times. With Glasgow friends Kieran Coyle, Rosie Pearse, Siobhain Ma and Connell King, their debut LP, You’re Doing OK is one of those hidden gems you should not pass over.
Miriam Ingram – A Tiny White Dot this poignant song from the album, Spells was produced by her son, Diolmhain Ingram-Roche and a fine job he does too of taking us through a psychedelic, visceral, textured maze of vocal loops and layered synths. Miriam’s observations on life are acute. Essential listening.
Keeno – I Wonder (feat. Ellie Madison) real Drum and Bass, Dubstep or Grime have not made it onto mainstream radio in America, which is why we like to make a point of selecting first-class cuts to wake up the neighbors with. Hospital Records out of the UK have been releasing brilliant cuts since 1996. Use this cut to lead you to discover more essential releases. Keeno’s I Wonder (feat. Ellie Madison) is so infectious, you’ll want to hear more.
Winsome – Untitled here is a fine example of how minimalist digital reggae can be so emotive. Winsome Benjamin was a popular Lover’s Rock chanteuse on the UK scene in the 80s. This 12” was probably originally released a few years back but rereleased to help raise donations to the northeast London migrant action (NELMA) solidarity hardship fund.
Penelope Trappes – Eel Drip to end this Special Mentions show an intriguing release. “Eel Drip is about honouring the dead, the passing of lives within you and beyond you,” says the London-based artist. She continues “It’s about physical or emotional change, acknowledging fears, and being true to yourself… reaching your full potential.” Words to ponder as we move into a new year. The accompanying, disturbing video was directed by Agnes Haus and inspired by artist Francesca Woodman’s 1970s series of nude self-portraits with Eels.
- Miranda McCarthy From Loving You
- EKA – Shadow Play
- Tears On Demand – If I Was Alive
- Wu-Lu – Black Classical Music
- Gad Whip – Sundown
- Benin City – Get Your Own
- Phoebe Coco – Different
- Tasha – But There’s Still The Moon
- Tabitha Ferri – Home
- This Is The Kit – This Is What You Did
- Happy Speedy – Fresh Air
- Miriam Ingram – A Tiny White Dot
- Keeno – I Wonder (feat. Ellie Madison)
- Winsome – Untitled (SUG001-B)
- Penelope Trappes – Eel Drip
Happy New Year!
The artwork for this volume is by Jamie Singleton “Beautiful Brian” 1997 6’ x 8’ (detail) Giclée print on archival paper of a manipulated video image. Courtesy of Norman B’s collection. The image of the late Brian Jones has nothing to do with this selection of music. We just happen to love it!
LEM Vol 214