A Conversation With Charlie Nieland
Divisions, the title track from his new album of the same name begins with a steady pounding drum beat, hovering underneath a treated guitar appears but doesn’t intrude, then Charlie Nieland sings. His deadpan voice sounds familiar yet as the song moves along you realize this is new, not reworked codas from a past decade or three. Nieland has a smart knack for referencing identifiable sounds and making them his own. Charlie is comfortable talking about influences, while almost swooning as he recounts working with New Wave diva, Debbie Harry. Renowned for tastefully blending post-punk, dream pop, and progressive rock with sweeping melodies and restless and visceral rhythms, Charlie Nieland has been writing, playing, and producing music for decades, with a focus on the atmospheric and the imaginative. Nieland played power dream pop with the band Her Vanished Grace for over 20 years before establishing himself as a solo artist with a mix of nuanced songwriting and sonic exploration. He is currently half of the literature-inspired songwriting and performing duo Lusterlit with Susan Hwang. Over the years, Charlie has written and produced material with such notable artists as Debbie Harry, Rufus Wainwright, Dead Leaf Echo, Blondie, and Scissor Sisters. He scored the feature film The Safety of Objects (starring Glenn Close), the pilot episode of The L Word on Showtime, and the VH-1documentary NY77: The Coolest Year in Hell. Charlie was awarded a Gold record (UK) for his production work on Blondie’s Greatest Hits Sight & Sound and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry’s single Two Times Blue, which he co-wrote and produced. Charlie Nieland and Norman B connected via Zoom for this conversation.
LEM Vol 221