A Conversation With King Hannah
They look like they just stepped out of a photoshoot for ID magazine circa 1979 or it could be 2025. Their potent music, like their striking image, is an alluring reverent homage to a past they could have invented, perfectly and seamlessly blended into a brilliant foretaste of the future. Hannah Merrick and Craig Whittle are King Hannah. Their moniker is clever, a deadpan kick in the shins of conformity and gender identity. Yet, Hannah nonchalantly says, “Oh, it’s a name I came up with ages ago, I thought it sounded good. So we used it”. That’s the thing about these two, everything is all matter-of-fact. There are no pretensions, no deliberate persona they are eager to get across. When they are told that Crème Brûlée is an incredibly sexy song, they both sound surprised. Craig, between a chuckle or two, says, “Just look at us!” We did and we like what we see. The authenticity of King Hannah is right up front, their music does not mess about. “We’re determined to get it right”, says Hannah They genuinely enjoy making music together “We know when to finish a song without even looking at each other,” Hannah shares. There is so much going on in their debut EP, Tell Me You Mind And I’ll Tell You Mine, it’s almost impossible to grasp the depth of pure rock ’n’ roll spirituality that shines through on every track. There are so many ghosts channeling their voices through Hannah and Craig, they are harvesting the fruits to create vital music. Listen carefully to our conversation, then indulge in their music.
Because of time constraints and we wanted you to hear everything Hannah and Craig had to say, we edited a couple of their songs. You are advised to make sure you get your own copy of Tell Me You Mind And I’ll Tell You Mine.
- Meal Deal
- The Sea Has Stretch Marks
- Bill Tench
- Crème Brûlée